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Reflecting Antiquity: Modern Glass Inspired by Ancient Rome

By David Whitehouse
Corning Museum of Glass

Welcome to the Renegade

Over the weekend of June 13th I spent about 8 hours at the 4th Annual Renegade Craft Fair in Brooklyn, braving lashing rain, beating sun, an onslaught of hipsters and the impulse to buy many (sometimes too) cute things. I went on Saturday with a friend studying fashion design at FIT grad school, who walked away with vibrant screenprints and silkscreened t-shirts.

Spring Fever! SOFA Sweeps into New York!

After four days of frenzied crowds at the Eleventh Annual Sculpture Objects & Functional Art Fair (SOFA) at the Park Avenue Armory in New York-opening night alone drew over 2,600 people-visiting the exhibition on Sunday, June 1, the final day, was an unexpectedly calming experience. No longer were there throngs pushing past each other rushing to stake claims on one must-have piece or another.

Western Massachusetts: Craft in the Mountains

Craft has become part of the vibrant cultural mix that makes Western Massachusetts such a hub of activity for residents and visitors alike.

American Craft Council Fellows

Robert Brady
Trained and triumphant in ceramics, Brady took a risky segue into wood and now enjoys a rewarding career in two media.

Tradition/Innovation: American Masterpieces of Southern Craft & Traditional Art

Atlanta History Center
Atlanta, Georgia
March 1 – May 18, 2008

The Artisanal Urge

The artisanal urge-the fundamental human desire to make something with one's own hands-has never been so endangered as it is right now. Quite frankly, this is a situation that sends a chill down my spine. Consider the work of Jeff Koons, one of the most widely discussed and highly praised artists of the last 20 years. His Hanging Heart, [figure 1] an oversized version of a shiny magenta bauble suspended from a golden ribbon, obviously manufactured to the artist's specs, recently sold at auction for $23.6 million.

Mapping the Future Perfect

Laurel Porcari sculpts architectural glass in her New Orleans studio. Glass requires technique and some heavy lifting. It is a hot, physically demanding process. Porcari embeds drawings and textures in the medium. Asked to describe the kiln-formed works, she speaks conceptually about mapping and flow, about scale and place. Given these terms and her Big Easy address, it's easy to presume that the artist's designs reference the broken levees and flooded neighborhoods wrought by Hurricane Katrina. They don't. Porcari doesn't go in for the literal.

GlassWear: Glass in Contemporary Jewelry

By Ursula Ilse-Neuman, Cornelie Holzach & Jutta-Annette Page
Arnoldsche Art Publishers, with Museum of Arts & Design, New York, and Schmuckmuseum Pforzheim, Germany

Farewell to a Design Giant

Viktor Schreckengost, one of the greatest industrial designers of the 20th century, died January 26 in Tallahassee, Florida, at 101 years old. Seem­ingly every aspect of modern American life was touched by the millions of items manufactured from Schreckengost designs, from dinnerware, bicycles, and children's pedal cars to printing presses and a radar recognition system for the U.S. Navy. He was also an accomplished potter, painter and sculptor, noted for his iconic Art Deco ceramic Jazz bowls of the 1930s.


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