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  • Alison Elizabeth Taylor marquetry hybrid titled The Residency, 2022.

    The Queue: Alison Elizabeth Taylor

    Alison Elizabeth Taylor’s marquetry hybrid panels depict desert and city life in wood, paint, and collage. In The Queue, the Brooklyn-based artist shares about her process, the layered music she turns to for inspiration, and the historical painting exhibitions she’s looking forward to this fall.

  • Metal work by So Young Park titled Moon Wings.

    Fantastical Microcosms

    While hiking in the desert earlier this year, So Young Park found the creative jolt for her metalsmithing in glass. While visiting Boston in the early 2000s, the artist saw the Ware Collection of Blaschka Glass Models of Plants at the Harvard Museum of Natural History, a display of famed models of cut flowers and leaves so scientifically accurate they were originally studied in botany classes. Park was especially struck by the cross sections and isolated views of plant parts, from ovaries to stamens, that revealed otherwise hidden geometries.
  • Jack Earl portrait 1971

    Remembering: Jack Earl

    Ohio ceramic artist and ACC Fellow Jack Earl died on June 17, 2023 at the age of 88. He was known for his figurative porcelain work, equally philosophical and whimsical, that reflected his outlook growing up and living in the Midwest.
  • Flower prototypes made with a CNC milling machine.

    The Queue: Zahra Almajidi

    Zahra Almajidi’s jewelry entices, then challenges, viewers and wearers. In The Queue, the Detroit-based metalsmith shares the unusual textures that drew her into the wild world of jewelry, her favorite tools, and a project that attempts to tackle jewelry’s waste problems.

  • A person sitting at a weave.

    Dazzling Pictorials

    Tyrrell Tapaha sits in front of a large Navajo loom in their living room, building up a section of woven lightning; the weaving comb packs the wefts in meditative rhythm.
  • Image of British textile artist Alice Fox gathered, dried, braided, and stitched long dandelion stems into cloth.

    Origin Stories

    While hiking in the desert earlier this year, I found a perfect little cube of charcoal in the middle of my path. It stood out against the sandy ground, a deep rich black in stark contrast to the golden-brown surrounding it. I picked it up and examined its shape and texture, waffling about whether I should carry it with me in my palm or put it in one of my pockets, potentially crushing it and having charcoal dust settle into the seams.
  • John Hermanson playing a guitar.

    The Queue: John Hermanson

    John Hermanson of Limber Bows has crafted a new kind of hiking pole. In The Queue, the Bozeman, Montana–based maker and musician recommends his favorite handcrafted gear, describes a unique tool for his work, and tells us about the summer festivals in his hometown.

  • Windchime made of clay in browns and blacks.

    The Sounds of Summer

    With the window open on a warm afternoon, you might hear someone practicing piano down the street, chirping birds gathered in a tree, cars honking at an intersection, or children laughing over a game of soccer in the park. Perhaps you’ll also hear wind chimes, their soft rhythmic ringing letting you know a refreshing breeze is on the way.
  • Renwick Megaplanet - glass sphere with blues, greens, and pinks creating various textures.

    The Glass Alchemist

    It all started with a seemingly endless stream of eighth graders who swarmed his studio every Wednesday for the glass-blowing demonstrations he’d agreed to do. “They weren’t the least bit interested in me or goblets,” Simpson says. But who wasn’t astounded by the recent Apollo 8 mission photos of Earth rising behind the moon, like a little blue marble with white swirls?
  • Portrait Tilke Elkins

    The Queue: Tilke Elkins

    For Tilke Elkins, wild pigments contain radical possibilities—for equity, for our relationship with place, and for art. In The Queue, the Oregon-based artist and founder of Wild Pigment Project shares about her first time working with wild pigments, the endless usefulness of rocks, and her favorite conversations from her newsletter Pied Midden.

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