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Makers

High Desert Workshop

A silversmith takes us inside the outbuilding where she makes bits, spurs, and jewelry in southwestern Wyoming.

By Amy Erickson
May 1, 2025

Amy Erickson on her land with two horses and a bridle she created.
Photo by Melissa Kelsey

Amy Erickson with two of her horses, Peyote and Twist, and a bridle she created.

As a Western silversmith and bit and spur maker, I make equipment and gear that aims to define the spirit of the American West and tell stories of heritage, craftsmanship, and function. When I’m in my workshop—which is part of a larger shop on our property in southwestern Wyoming—I am immersed in a craft that blends artistry with utility. I believe that every piece I create carries the weight of history and the promise of enduring quality.

My shop was born out of necessity. As my work grew, I realized I needed a dedicated space separate from my existing leather shop to accommodate the unique needs of my silversmithing and bit and spur making. My husband helped me carefully plan and expand the space. We did all the work ourselves. The result is a simple, rustic, and utilitarian space with tools and equipment taking center stage.

Here, the art of silversmithing and bit and spur making comes to life through a blend of traditional and modern tools. Every piece I create begins with a drawing—a blueprint that captures my vision and guides the entire process. Whether I’m designing a custom bit, spur, Western jewelry, or a belt buckle, the drawing serves as the foundation for every step that follows. It’s where the creative process starts, translating an idea into a tangible plan.

Next I start to work with the raw materials—high-quality metals ready to be transformed. I employ time-honored tools such as hammers, chisels, and hand files to carefully shape and carve every element. I take pride in the precision of my handwork, whether I am engraving intricate designs or removing material bit by bit to reveal the finished piece. While traditional methods guide much of my work, I also make use of modern machinery like a band saw to cut out the rough shapes for bits and spurs and weld them together.

I use a pneumatic handpiece for engraving, which is where my designs truly come to life. My goal is to create intricate patterns and details that reflect the Western spirit, ensuring that each line, flower, scroll, and leaf tells a unique story. Whether it’s a bold, custom design on a spur or a delicate floral motif on a belt buckle, the engraving is what gives the piece its character. These tools allow me to work with efficiency without sacrificing the craftsmanship at the heart of my process.

Amy Ericson and two dogs walk along a juniper ridge.
Photo by Melissa Kelsey

Erickson walks along a juniper ridge toward her shop with dogs Whip and Zoey.

  • Amy Erickson in her shop, working at a vise.
    Photos by Melissa Kelsey

    Inside her shop, Erickson works at a vise.

  • Amy Erickson sketches a new design at her light table.

    Erickson sketches a new design at her light table.

  • Two styles of bridle bits, one with filigree silver overlay and the other with sterling silver inlays.

    Two styles of bridle bits, one with filigree silver overlay and the other with sterling silver inlays.

I’ve found that it’s the relationship between the tools and my surroundings that shapes the rhythm of my day-to-day life. Every sound in the shop—the hum of the band saw, the tap of my hammer, the whir of my engraving handpiece—blends together like music, creating a natural harmony. The slower pace in my rural setting offers peace and solitude, which allows for deeper reflection and time to think, experiment, and connect with my work.

For inspiration I look to the beautiful scenery of the Wyoming high desert, through books and catalogs of old-time bits and spurs, and at the pieces I have from modern makers and my mentors. I feel a strong sense of belonging here, with my horses grazing nearby in the pasture and my dogs regularly coming in and out of the shop at their leisure for visits. In this space I feel grounded, both in the craft and in the legacy I am preserving.

In other words, my workshop is more than a place of work—it is a sanctuary where art and history merge with the quiet, enduring beauty of the land. My work is about more than just making beautiful pieces—it’s a deep connection to my own life growing up on my family’s ranch. And each piece I create is more than a functional object—it is a reflection of the very life I have lived, shaped by the West and the experiences I’ve had in the saddle.

Bridging past and present, blending heritage with personal history, I want to contribute to ensuring that the legacy of my craft and this way of life continues for generations to come.

 

Amy Erickson runs her business, Erickson Bit and Spur, from her family ranch near Evanston, Wyoming. She received the 2020 Art of the Cowgirl bit making fellowship and was mentored by John Mincer/Mincer Silversmiths; a 2022 Wyoming Arts Council folk art mentorship grant, allowing her to study bit and spur making with Ernie Marsh; and a 2024–25 fellowship from the Cowgirl Artists of America. Her work is available at Native Jackson Hole Gallery in Jackson, Wyoming.

Amy Erickson in her shop, looking through a microscope while engraving.
Photo by Melissa Kelsey

Erickson looks through a microscope while engraving.

Visit Amy Erickson online.

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  • Twist, Amy Erickson's horse, with the traditional Nevada cheek bit Erickson made specifically for him.
    Photos courtesy of Amy Erickson

    Twist with the traditional Nevada cheek bit Erickson made specifically for him.

  • A sterling silver engraved flower ring with a pink tourmaline stone, made by Amy Erickson.

    A sterling silver engraved flower ring with a pink tourmaline stone.

  • Sterling silver pendants depicting the Teton Mountains

    Erickson created her 2024 sterling silver Teton Mountains line for Native Jackson Hole Gallery.

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