For Cedric Mitchell, working with glass is “a rhythmic dance.”
Mitchell’s bold glassware balances nostalgia and innovation. Taking inspiration from graffiti, streetwear, futuristic design from the 1980s and 1990s, and the Memphis Group, his “modern funk” aesthetic combines rich coloration and playful patterns into a visual language all his own. Originally from Oklahoma, where he first encountered studio glass while recording at a Tulsa music studio, Mitchell learned glassblowing at Tulsa Glassblowing School, where he eventually became an apprentice and an instructor. Now based in Los Angeles, he has developed glassware collections, collaborated with high-profile clients such as Nike, and served as the events and resource manager at Crafting the Future, an organization that supports BIPOC craft artists. Mitchell’s Kinetic Glasses, which swivel on a glass ball, are featured on the cover of the Summer 2024 issue of American Craft. Designed to enhance the aromas of spirits such as scotch and cognac, the glasses are also part of our “Handcrafted Happy Hour” article, in which recipe developer and food stylist Betsy Nelson suggests pairing them with a nonalcoholic honey-based recipe.
How do you describe your work or practice in 50 words or less?
My studio art glass practice fuses pop art influences with postmodern innovation. Using vibrant colors and intricate designs, I create captivating sculptures inspired by street art and childhood memories. My modern funk aesthetic embraces whimsical patterns and shapes, celebrating individuality. I also support youth arts organizations and marginalized communities.
