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The Queue: La Loupe

Jorgelina Lopez and Marco Duenas of La Loupe Design make lamps and wall art that light up the room. In The Queue, the Baltimore-based couple share about the inspiration behind their work, Baltimore’s music scene, and a couple of ways to keep wood out of landfills.

By Shivaun Watchorn
January 29, 2025

Photo by Kelvin Bulluck

Jorgelina Lopez and Marco Duenas at La Loupe’s Baltimore showroom.

Jorgelina Lopez and Marco Duenas are partners in life and business at La Loupe, their Baltimore-based design studio.

Lopez, who is from Argentina, is a textile designer by trade who folds and shapes laminated linen into sublime lampshades. Duenas, Peruvian by birth and a longtime Baltimore resident, is a woodworker who makes lamp bases and wall art. The pair integrate these disparate craft skills into modernist-inspired lighting that celebrates the handmade and brings beauty to the home. “I believe that the moment we connect our minds and hands with materials, craft techniques, and traditions to create something is when we connect with the world and its rich culture in a meaningful way,” says Lopez. The couple were featured in our coverage of Baltimore’s richly collaborative craft scene in the Winter 2025 issue of American Craft. Lopez and Duenas will also be at American Craft Made Baltimore at the Baltimore Convention Center this February 21–23, where visitors can see their elegant lamps in person.

How do you describe your work or practice in 100 words or less?

Our work integrates our skills in fiber and wood crafts to create luminaries, objects, and abstract sculptural art pieces that emphasize the principles of simplicity, geometric forms, and clean lines. In our creative process, the exploration of the interplay of form, space, and color through different expressions in craft techniques and materials serves as the foundation of our body of work. We both have an interdisciplinary approach in our practice, and that allows us to blend various techniques and media creatively.

Jorgelina, what is it about lighting design and paper folding that captures your imagination and/or interest?

In 2013, I began delving into the world of fiber as a way to create three-dimensional objects. I started experimenting with sculptural pieces, but I wanted to emphasize the usefulness of the objects created, so I started incorporating lighting into these pieces. Since then, I have found lighting to be very inspirational to work with. Paper folding has become a great technique that has allowed me to explore a variety of three-dimensional forms, as well as the relationship between structure and lighting. I have also had an interest in geometry—it always captivates me.

Marco, you make wall art from offcut wood from La Loupe lighting. What inspires that work?

I guess after working on the lighting pieces, my mind continues on that language of geometry, simplicity, and minimalism. I just see so much that I can keep creating with those offcuts. The process itself, the interaction between three-dimensional forms in space, calls for keeping the wood existing in another way that isn’t necessarily functional. Maximizing the use of beautiful natural materials is one way to control my consumption of natural resources.

Photo by Kelvin Bulluck

Jorgelina Lopez and Marco Duenas working in their Baltimore showroom.

  • Photo by Kelvin Bulluck

    Lamps by La Loupe hang in their Baltimore showroom.

  • Photo courtesy of La Loupe

    The Gemma round table lamp, 12 x 8 x 3 in., is handcrafted from solid walnut.

  • Photo by Kelvin Bulluck

    Colored lampshades by La Loupe.

What are your favorite tools for working with textiles and wood?

Jorgelina: I would say my hands are my favorite tools. I use simple tools when I work with textiles or when I create lamps: scissors, thread, needles. But mostly it’s my hands—I love their interaction with the material. 

Marco: For woodworking, the band saw is one of my go-to tools for its versatility and utility, along with the spokeshave and the Dremel Multi-Tool for detailed work—it has tons of attachments for various uses.

If you could have work from any contemporary craft artist for your home or studio, whose would it be and why?

Jorgelina: There are so many skilled and talented contemporary craft artists that it is hard to choose one. But one artist that I have admired since I saw her work is Erin Wilson. I’m drawn to the architectural imagery and intricate small-scale compositions that she translates so skillfully into patchwork or quilting pieces.

Photo by Emily Casavant

Jorgelina Lopez folding laminated linen into a lampshade at her studio in Baltimore.

  • Photo by Emily Casavant

    A wall sculpture in progress by Marco Duenas.

  • Photo courtesy of La Loupe

    Duenas’s Wall Sculpture No. 13 is back from black walnut and acrylic paint, 21 x 14 x 3.5 in.

Marco: I like the work of a Colombian collaborative called Colectivo Mangle. Their conceptual sculptural pieces made of wood and other materials blur the fine line between arts and crafts.

Which craft artists, exhibitions, or projects do you think the world should know about, and why?

The Camp Small Zero Waste Initiative is the wood waste collection yard run by Baltimore City. This program is designed to reduce city expenses in managing wood waste and to divert city trees from landfills while stimulating the growing wood-based economy in Baltimore. We believe this is a great project and a successful example of how different organizations can come together to benefit our local nonprofits, community initiatives, schools, private businesses, local artisans, and residents.

In The Scene, you say, “The music scene is also a very important factor” in Baltimore’s artistic community. What are your favorite music-related things to do in Baltimore?

From Billie Holiday to Beach House, Baltimore has always been an important musical hub. With the Peabody Institute right here, good musicians perform in different venues around the city. Going to pop-up jazz venues in the summer is a good way to chill. Check out local and touring indie rock bands at the Ottobar or a more eclectic range at Current Space.

 

Shivaun Watchorn is the associate editor of American Craft.

Photo courtesy of La Loupe

The TōRō02 floor lamp has a linen shade on a black walnut base, 55 x 10 x 10 in.

Visit La Loupe online.

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This article was made possible with support from the Windgate Foundation.

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