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  • Art by Vaughan Nelson of One Blue Marble

    Market: To Have and to Hold

    When you want to protect and honor special items—and keep track of them—handmade keepsake boxes are a beautiful solution. These four options, in ceramic and wood, offer a variety of styles and sizes for holding some of your most cherished possessions.
  • Misha Kahn. Photo by Joshua White, courtesy of Friedman Benda and Misha Kahn.

    The Queue: Misha Kahn

    Misha Kahn’s unrepentantly maximalist works use a dizzying array of materials and techniques to steamroll over the borders between craft, design, and sculpture. In The Queue, the Brooklyn-based designer and artist shares about the iconic craft artists whose works populate his home, the challenges of working with wood, and the alchemical magic of electroforming.

  • Stack of niche magazine covers.

    Niche Magazines

    Professional associations in the field of craft cover specific types of media and technique, and a good number of them produce magazines. The American Craft Council Library, which can be visited by appointment, holds nearly 100 periodical subscriptions, as well as myriad issues of publications no longer in print, most of them catering to specific areas of the craft field. ACC librarian Beth Goodrich highlights five such publications here, with a longer list (not exhaustive) of niche magazines below.
  • Misha Kahn's Harvest Moon. Photo by Timothy Doyon, courtesy of Friedman Benda and Misha Kahn.

    Assemblage

    Definitively maximalist and wildly inventive, designer and sculptor Misha Kahn uses all the traditional craft mediums, combining them in new and fantastical ways to create furniture, lighting, and sculpture.
  • Sophie Glenn with her tool cabinet, Anni Albers in the Black Lodge, 2019, various hardwoods, brass hardware, 36 x 24 x 14 in. Photo courtesy of the artist.

    The Queue: Sophie Glenn

    Sophie Glenn’s clever furniture isn’t what it appears to be. In The Queue, the Reading, Pennsylvania–based woodworker, metalworker, and furniture designer shares about her process, why she references pop culture in her work, and the challenges of converting traditional wood forms into metal.

  • Malone in his kiln shed and creative space working on the sculpture I Can Only Suggest, the Choices Are Yours. Photo by Steven M. Cummings.

    Pieces of Life

    Chris Malone’s elaborate clay and mosaic sculptures tell stories of spirituality and an unknown past.
  • Made from kiln-cast glass, Viviano’s Recasting Detroit, 2021, combines imagery from the city’s manufacturing past and its current urban landscape, 11 x 16.5 x 13.5 in. Photo by Tim Thayer /  RM Hensleigh.

    Seeing Is Believing

    After moving to Plainwell, Michigan, a town of about 4,000 residents on the banks of the Kalamazoo River, artist Norwood Viviano realized that nearly everyone he met had in some way been affected by the paper mill industry. The Plainwell Paper Mill, established in 1887, was the town’s beating heart until it declared bankruptcy and shuttered its plant two decades ago.
  • Chevonne Ariss at her desk. Photo by Sam Backhaus.

    The Queue: Chevonne Ariss

    In her lively, wide-ranging  podcast Cracked, Chevonne Ariss highlights modern stained glass artists. In The Queue, the Portland, Oregon–based glass artist shares about her lightbulb moment with glass, how a thriving online community led her to start her show, and the qualities of a good podcast guest.

  • Detail of vinyl storage cabinet from Symbol Audio.

    Craft That Holds

    Three small companies handcraft storage crates, shelves, and credenzas to help music collectors organize all that vinyl.
  • Anni Albers weaving at Black Mountain College, 1937. Photo by Helen M. Post Modley.

    Weaving by Design

    An upcoming show at the Black Mountain College Museum + Arts Center explores the legacies of Anni Albers and Trude Guermonprez, and the importance of weaving at the legendary college.
  • Jiha Moon in her painting studio. For her new still life series, Moon mounted Korean mulberry paper, or hanji, on canvas, then used ink  and acrylic to paint symbolic icons including the peach, peony flowers, and haetae, a Korean mythical creature that protects family and loved ones.

    The Queue: Jiha Moon

    Jiha Moon mixes cultures and materials in her playful, vibrant ceramics. In The Queue, the Tallahassee, Florida–based painter, sculptor, printmaker, and professor shares about her busy upcoming exhibition schedule, how teaching can conquer generational divides, and the traditional textile art that deserves more attention.

  • Virtuoso violinist and Street Symphony artistic director Vijay Gupta with a prized violin made by luthier Eric Benning. Photo by Kat Bawden.

    In Tune

    Virtuoso violinist Vijay Gupta and third-generation luthier Eric Benning work together to create beautiful music—and both share it with marginalized communities.
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