The Plunder Me, Baby ceramic sculptures evoke a childhood memory that has haunted Velarde, of hearing her 16-year-old nanny declare "I don't speak Quechua" (the language of the Inca) in an attempt to hide her indigenous roots. To challenge this racism, Velarde creates personal and sometimes confrontational ceramic sculptures which are based on the traditional forms and surface decorations of Pre-Columbian ceramics but include the artist’s own image and reference her indigenous ancestry. 

Sculptures from her Isichapuitu series will also be included in the exhibition. The Isichapuitu figures were inspired by a Mexican statue from the Rockefeller Collection at the Metropolitan Museum in New York. The figure represents an obese male child with his arms up. Someone made this scupture over two thousand years ago, and yet Velarde believes, it resembles her. Isichapuitu is an installation of several versions of the same figure. These figures serve as a metaphor of expectations and disappointments, memories and oblivion, and generosities and pettiness. Velarde’s work will be augmented with a selection of Pre-Columbian ceramic objects to illustrate her source material.