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Fall 2024

Fall 2024

Cover of Fall 2024 American Craft magazine

Weave. To weave is to entwine separate elements in order to create something new. As humans, we weave together materials, stories, and even our lives—often into patterns that surprise and delight. In this issue, you’ll find artists and makers who employ weaving techniques to create stunning works. You’ll discover baskets lovingly fashioned for our tenderest moments, brooms that make cleaning more joyous, and sculptural works in textiles, wood, and clay that tell stories about migration and place. And you’ll learn about backstrap weaving from a maker who integrates her work into an apartment she’s turned into an artistic sanctuary.

You’ll also find 30 pages devoted to celebrating some of today’s most accomplished American craftspeople. Every two years the American Craft Council Awards are given to artists who’ve been chosen as recipients by their peers. Also honored are craft advocates, scholars, curators, and philanthropists. These are people who’ve devoted their lives to craft, and it’s a joy to recognize them.

We’re also delighted to share the story of Teater’s Knoll, an artist’s studio in Idaho designed by Frank Lloyd Wright, and how the current homeowner’s collection of 21st-century Japanese and American ceramics feels right at home. After craft historian and author Glenn Adamson brought us this story, he searched our archives and discovered very little coverage of craft in the Gem State. “In 1949,” back when American Craft was known as Craft Horizons, Adamson told us, the magazine ran a story “about Glenn and Lee Wright of Sun Valley, who created domestic accessories out of ‘beaver-wood’—bits of poplar shaped by the animals as they work on their dams.” There were also brief mentions, he continued, “of George Nakashima, who discovered his métier of woodworking at a wartime Japanese internment camp in the state; Craig Zweifel, who made glass art at his workshop near Ketchum for thirty years—and the odd listing of a local fair or museum exhibit.” In other words, not much.

Here at American Craft we’re endeavoring to expand our coverage of work created in all parts of this nation. We rely on you, our readers, to let us know about artists and makers you admire—and people whose lives are enriched because they live with the handcrafted. We welcome your suggestions for stories.
 
I hope you’ll find this to be a rich and varied issue, one that will inspire you to seek and treasure the handmade.

 

karen signature

 

KAREN OLSON / Editor in Chief
 

American Craft Council publishes American Craft on a quarterly basis but reserves the right to change the number of issues in an annual term, including discontinuing any format and substituting and/or modifying the manner in which the subscription is distributed.

Feature Articles

The Things They Carried

Building an Artistic Sanctuary

Learning from Makers

A Match Made in Idaho

The 2024 American Craft Council Awards

Craft Happenings: Fall 2024

More from This Issue

Fiber artist Claire Zeisler with her sculpture Red Forest I, which was included in the 1972 Museum of Contemporary Crafts exhibition Sculpture in Fiber. Images courtesy of the American Craft Council Library & Archives.

Beyond the Loom

Within the realm of contemporary art, weaving is having a moment. Several exhibitions, currently running, place textile arts and weaving firmly in the realm of fine art.

Two brooms made by Sunhouse Craft and SWEVEN

Clean Sweep

The American broom industry took off nearly two centuries ago to serve a rapidly growing nation. The five makers here make woven brooms—frequently using locally gathered materials—that are built to last and beautiful to display.

Planter Vase, 2024, made from pine crate wood from Wing on Wo, sits on a rosewood stand, 8.5 x 10 x 10 in. Photo by Vivian Chiu.

Containing Memories

Richmond, Virginia–based woodworker Vivian Chiu created vessels from wooden shipping crates collected by Wing on Wo & Co., a store that opened in 1890 in New York City’s Chinatown.

Casey Whittier, 2024, Looking for...(Florida, Colorado, Texas, Maine, Minnesota). Photo by  T. Maxwell Wagner.

Earth, Entwined

The project evolved—from formless notion to polished piece—while Casey Whittier was on a yearlong sabbatical...

Mayela’s Maps of Displacement Vol I: NYC 2021, documents the migratory stories of Venezuelans who fled their home country, 90 x 144 x 2 in. Photo courtesy of Olympia and JO-HS.

Weaving Their Stories

Brooklyn-based artist Cassandra Mayela weaves the garments and sentimental items of Venezuelan migrants into tapestries that tell their stories.

Stack of ACC magazine covers with Fall 2024 issue on top.

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