Review
Making Our Selves At Home
An exhibition takes its cues from 20th century post-feminist explorations of gender and domesticity.
Vanishing Point
Modernism As It Was Meant to Be
A Chosen Path: The Ceramic Art of Karen Karnes
Venice. 3 Visions in Glass
Lilly Wei surveys three Venetians' glasswork at Barry Friedman Ltd.
Jeff Irwin: Nature as Trophy
Leah Ollman critiques Jeff Irwin's animal-inspired ceramics in a San Diego library.
Willard Wigan: Art in the Eye of a Needle
Kate Dobbs Ariail peers through the microscope at Willard Wigan's minuscule sculptures at Parish Gallery in Washington, DC.
Bigger, Better, More: The Art of Viola Frey
Jody Clowes critiques Viola Frey's ceramics at the Racine Art Museum in Wisconsin.
Staged Stories
Sarah Tanguy appraises the narrative work of four artists in the Renwick Gallery‘s biennial invitational.
Made in Europe
Christopher Lloyd surveys “European Design Since 1985” at the Indianapolis Museum
of Art
Klaus Moje
Sue Taylor offers an in-depth appreciation of kiln-glass master Klaus Moje's retrospective at the Portland Art Museum, Oregon.
Possibilities: Rising Stars of Contemporary Craft in North Carolina
Kate Dobbs Ariail assesses six "rising stars" at the Mint Museum of Craft + Design.
Creative Evolution
John Perreault jets to Korea for the Cheongju Biennale.
The Object of Labor & Far from the Tree
Pamela Scheinman curls up with The Object of Labor, a many faceted anthology on fiber, and Nicols Fox takes in "Far from the Tree" at the Messler Gallery in Rockport, Maine.