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Features & Essays

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88 articles

  • Features & Essays
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    Crafting Your Legacy: A Curator’s Perspective

    In the inaugural column of our Craft Coalition series, the Everson Museum of Art’s ceramics curator explains how artists can get their work into museum collections.

    Digital Only

  • Features & Essays
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    Understanding the Field

    A new essay by Jenni Sorkin considers the Center for Craft’s impactful Craft Research Fund.

    Digital Only

  • Features & Essays
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    Treasures from the Collection

    A cataloger for the American Craft Council Archives reflects on her long, strange trip through two decades of magazine back issues.

    Digital Only

  • Patterned ceramic cups and plates
    Features & Essays
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    I Love Pots

    A studio potter and the founder of @nonclaypots and @potterytattoos writes about how and why she began sharing her passions on social media.

    Digital Only

    Ceramics
    Mixed Media
  • Features & Essays
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    Couture Craft

    A new nonprofit, Closely Crafted, advocates for skilled makers in the fashion industry.

    Fall 2025

    Clothing
    Craft industry
  • Visitors look at jewelry in an exhibition.
    Features & Essays
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    Where Jewelry People Gather

    The Jewelry Library in New York City fosters scholarship and creativity while building community.

    Fall 2025

    Fiber & Textiles
    Jewelry
    Metal
  • Features & Essays
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    Survivors on the Storm

    A year after Hurricane Helene ravaged western North Carolina, seven craftspeople talk about the aftermath, the ongoing recovery, the importance of community, and the creative consequences.

    Fall 2025

    Craft industry
  • Kelly Knox wears a prosthetic arm made with silicone and interchangeable steel, rock, earth, wood, moss, oil, cork, wool, bronze, rhodium, and gold parts.
    Features & Essays
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    Wearing Difference, Extravagantly

    UK-based Sophie de Oliveira Barata’s imaginative prosthetics reframe the conversation around disability and difference.

    Fall 2025

    Mixed Media
    Wood
  • Brooch with rodent skull and beanpods made from maple, holly, Micarta, and gold-plated brass.
    Features & Essays
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    Would You Dare Wear This Brooch?

    Susan Beech’s provocative jewelry collection is featured in a new book and an exhibition.

    Fall 2025

    Jewelry
  • Features & Essays
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    It’s A Cinch

    For these four makers, the bolo tie is a canvas for personal and cultural reflection and an opportunity to showcase materials and technique.

    Fall 2025

    Fiber & Textiles
    Jewelry
    Metal
  • Features & Essays
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    The New Ceramic Presence

    From the archives: a 1961 investigation of the history and influences behind new forms of ceramics.

    July 1961

    Ceramics
  • Features & Essays
    Free To Read

    In My Studio with Amy Erickson

    VIDEO: Step into Western silversmith Amy Erickson's workshop in southwestern Wyoming. 

    Digital Only

    Jewelry
    Metal
  • Kevin Reiswig holds a tree branch-shaped sculpture crafted from reclaimed wood at his studio in Port Townsend, Washington.
    Features & Essays
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    How I Made It with Kevin Reiswig

    VIDEO: See how sculptor and furniture maker Kevin Reiswig makes sculptural tree branches from reclaimed wood. 

    Digital Only

    Furniture
    Wood
  • Model wears a a winged black ensemble with a cutout waist.
    Features & Essays
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    On the Runway at Native Nations Fashion Night

    An Indigenous writer reflects on the importance of the stylish, Minneapolis-based affair.

    Digital Only

    Ceramics
    Fiber & Textiles
  • Amy Erickson on her land with two horses and a bridle she created.
    Features & Essays
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    High Desert Workshop

    A silversmith takes us inside the outbuilding where she makes bits, spurs, and jewelry in southwestern Wyoming.

    Summer 2025

    Jewelry
    Metal
  • Features & Essays
    Free To Read

    Beauty in the Bark

    Until Western fabrics arrived in the late 1800s, kapa was one of the most refined art forms in Hawai‘i. Modern makers are expanding on the tradition.

    Summer 2025

    Fiber & Textiles
  • Esohe and George Galbreath with a wall-mounted copper sculpture by Kevin Cole.
    Features & Essays
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    Atlanta Object Stories: In the Folds

    An Atlanta couple tell the story of a copper sculpture made just for them, which forms the cornerstone of their art collection.

    Summer 2025

    Metal
  • Wooden bird sculpture hanging from a tree
    Features & Essays
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    Atlanta Object Stories: Flight of the Phoenix

    An Atlanta-based maker and writer describes seeing Dorothy O’Connor’s handmade wooden birds lit up in the trees.

    Summer 2025

    Wood
  • Features & Essays
    Free To Read

    In My Studio with Shikha Joshi

    VIDEO: Get a behind-the-scenes look into studio potter Shikha Joshi's workspace and process.

    Digital Only

    Ceramics
  • Large terracotta planter and saucer set
    Features & Essays
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    Enchanted Planters

    The ceramic vessels here, created by four makers from the Los Angeles area, would bring a California vibe to most any setting.

    Spring 2025

    Ceramics
  • Stoneware bowl decorated with bright orange grooves and ants
    Features & Essays
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    Finds: Spring 2025

    Staff from the American Craft Council share three craft objects that they found surprising and delightful.

    Spring 2025

    Ceramics
    Metal
    Wood
  • Vivid green wool and mohair tapestry
    Features & Essays
    Free To Read

    Vivacious

    Three contemporary artists use imaginative techniques and materials to create furniture, tapestries, and sculpture exploding with life.

    Spring 2025

    Ceramics
    Fiber & Textiles
  • Victoria Ahmadizadeh Melendez bends a glass tube for a neon artwork
    Features & Essays
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    A Neon Renaissance

    Meet the new generation of makers transforming a glass art tradition.

    Spring 2025

    Glass
    Lighting
  • Features & Essays
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    Craft: Seriously, What Does the Word Mean?

    Craft: Seriously, What Does the Word Mean? Ask a maker, a scholar, a collector, or someone in another creative field, and you’ll hear a broad range of answers—and sometimes more questions.

    October/November 2018

    Craft industry