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Points of View

On the Runway at Native Nations Fashion Night

An Indigenous writer reflects on the importance of the stylish, Minneapolis-based affair.

By Kate Nelson
May 2025

Model wears a a winged black ensemble with a cutout waist.
Photos by Clarissa Friday of Native Clarity Photography

Willow Abrahamson in an ensemble by Bineshii-ikwewag.

Now in its fifth year, Native Nations Fashion Night (NNFN) brought Indigenous excellence to the Twin Cities during the last weekend of April. I was honored to be among those in the audience to take in the stylish soiree, which featured couture looks created by six talented designers from across Turtle Island (how many tribal communities refer to North America), as well as a host of memorable moments, including an official Minnesota state proclamation from Lt. Gov. Peggy Flanagan (White Earth Band of Ojibwe), who presented acclaimed Anishinaabe textile artist, fashion designer, and event founder and producer Delina White (Leech Lake Band of Ojibwe) with a plaque to mark the occasion.

The event brought back sweet memories of the same festive fete back in 2023, which White tapped me to emcee. The theme that night was “Northern Lights,” and the show highlighted designers from both Minnesota and Alaska, including celebrated two-spirit Yup’ik artist Golga Oscar. For me, an Alaska Native Tlingit tribal member who was born in southeast Alaska and grew up in northwestern Minnesota, the evening proved particularly meaningful. In so many ways, it brought together my two homes.

The 2025 edition of NNFN, dubbed “I Am Water / Nibi Indow / Mni Waun,” focused on the life-giving powers of the water that surrounds us and sustains us. Fittingly, the event took place on a Friday at the InterContinental St. Paul Riverfront hotel (thanks to generous support from the Mille Lacs Band of Ojibwe), situated on the bank of the mighty Mississippi—an all-important waterway stretching across this land and connecting countless communities. The evening kicked off with a multimedia presentation illuminating the importance of water, including a video from noted Native rights advocate Autumn Peltier. Just 20 years old, the Anishinaabe activist has already been fighting for water rights for years, including addressing the United Nations when she was just 13.

The presentation detailing Peltier’s work offered a prime example of how an Indigenous worldview underpins events like this, while also serving as the inspiration behind the designs donned by Native models on the runway. In this case, the focus was on our undeniable bond with the natural world.

Lt. Gov. Peggy Flanagan and event founder and producer Delina White make a proclamation

The fifth Native Nations Fashion Night included an official Minnesota state proclamation from Lt. Gov. Peggy Flanagan (White Earth Band of Ojibwe) and event founder and producer Delina White (Leech Lake Band of Ojibwe).

  • Model wears a long dress with a traditional floral motif on the runway.

    Willow Abrahamson wears an ensemble by Shannon Gustafson.

  • Model wears a long cape and translucent snake-patterned top on the runway.

    Alex Rivera wears an ensemble by Bineshii-ikwewag.

  • Model wears a vibrant pink ensemble on the runway.

    Amari LaRoque wears an ensemble by Lavender Doris

Courtesy of designers Bineshi Ikwewag, Sage Davis, Loren Aragon, Lavender Doris, Shannon Gustafson, and White herself, those looks were about so much more than just style. The featured fashions—which included everything from intricately beaded traditional cradleboards to a set of captivating wings that acted as a cape and complemented a shimmering cutout dress—deftly captured Native peoples’ ability to at once uphold heritage and forge ahead into the future. Taken altogether, the showcase made a bold statement: Indigenous creatives can honor the past without being stuck in the past.

The talented designers utilized materials, motifs, and methodologies reflecting their unique tribal communities from across North America, all the way from Ontario to New Mexico. The common thread that tied it all together? A dedication to craft, which was on full display throughout the soiree.

From beadwork to applique to ribbon skirt design, these time-honored techniques have been passed down from generation to generation, often from the hands of elders to the hands of youth. Brave, bold knowledge bearers maintained these cultural practices amid European colonialism, which sought to eradicate Native lifeways. As White explained to me, she considers the artists safeguarding these traditions to be history keepers. Considered in that context, these styles symbolize resiliency, adaptability, and also sustainability. Indeed, these handcrafted garments—which can take dozens of hours to produce—stand in stark contrast to the fast fashion currently flooding the marketplace.

NNFN fits well within the larger Native renaissance currently afoot, with unprecedented authentic representation across realms from food to fashion, politics to pop culture. I’ve been fortunate enough to witness and even participate in some of the preeminent fashion-forward Indigenous affairs, including the first-ever Native Fashion Week in the United States as well as the inaugural Indigenous Fashion Collective Gala, both of which took place last year.

The visionaries behind those exciting events—which, like NNFN, represent a reclamation of space in an industry that has long overlooked Indigenous creatives—owe a debt of gratitude to White. She has been instrumental in bringing forth this Native renaissance, having dedicated her life to serving her Minnesota-based tribe, preserving important cultural practices, and uplifting her fellow Native artists.

Model wears a look featuring an interpretation of a traditional ribbon skirt plus an intricately beaded traditional cradleboard.

Halle Green wears an ensemble designed by Shannon Gustafson featuring an intricately beaded traditional cradleboard.

  • Model wears patterned shirt and long, tasseled braids on the runway.

    Clay LaRocque wears an ensemble by Loren Aragon.

  • Model wears translucent skirt, floral cape, and long earrings on the runway.

    Katlaina Roman wears an ensemble by Delina White.

  • Model wears an interpretation of the ribbon skirt and a coral crop top on the runway

    Kaiya Wilson wears an ensemble by Dr. Sage Davis

As she has told me, White is very much living her dream. At the same time, she’s helping others live theirs—again reflecting Indigenous values. After all, it’s not about spotlighting the individual but instead about celebrating the community. That certainly was not lost on Friday’s event attendees, numbering in the hundreds. Among the honored guests were Native notables such as acclaimed author Louise Erdrich, who also owns the BIPOC-focused shop Birchbark Books in Minneapolis, as well as Flanagan, who is currently the highest-ranking Indigenous woman elected to executive office in the United States.

The lieutenant governor also walked the runway in White’s designs alongside her 12-year-old daughter, Siobhan. In any other setting, this mother-daughter moment might have been easily overlooked. But here, in community, it symbolized something bigger than just a special family snapshot. Holding hands as they sashayed down the catwalk, the duo proudly represented the Native matriarchs that have come before them as well as those that will come after them. It was the perfect conclusion to an evening applauding Indigenous excellence and showcasing the connection between past, present, and future—a Native future that, despite the dark moments of the past, looks very bright.

 

Kate Nelson is an Alaska Native Tlingit tribal member and an award-winning independent journalist based in Minneapolis who focuses on amplifying important Indigenous change makers and issues. Her writing has appeared in publications including The New York Times, National Geographic, Time, the BBC, and The Guardian.

Peggy Flanagan walks the runway with her 12-year-old daughter Siobhan.

Lt. Gov. Peggy Flanagan walks the runway with her 12-year-old daughter Siobhan.

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