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Points of View

Two Suchitra Mattai Exhibitions

Preview: The artist traces her family’s migration history in richly colored textiles in museum exhibitions this spring.

By Jon Spayde
February 14, 2025

Artist Suchitra Mattai stands in front of one of her tapestries.
Photo by Heather Rasmusen

Suchitra Mattai.

Suchitra Mattai had a big 2024, with four solo exhibitions and a number of group shows. This year Mattai momentum continues with she walked in reverse and found their songs, which opened at San Francisco’s Institute of Contemporary Art last year and will move to the Seattle Asian Art Museum from April 9 to July 20. The artist will also debut a major installation at the Memphis Brooks Museum of Art in Memphis, Tennessee, on May 22.

Visitors to the Seattle Asian Art Museum will be immersed in Mattai’s colorful, richly patterned world of repurposed fabrics and cleverly altered designs. The Guyana-born, Los Angeles–based artist, whose ancestors were brought from India to Guyana by the British to work as indentured laborers, literally weaves strands of Indian and Guyanese culture—and the memory of colonialism—into her pieces.

In she walked, Mattai takes found needlepoints and tapestries with classic European designs and gives them what she calls a “brown reclamation,” surrounding them with colorful swatches of fabric—often from vintage saris—or making the very European figures in them look Indo-Guyanese. A reimagining of her grandparents’ house in Guyana sits at the center of the installation

House-like structure is a museum gallery made from repurposed saris.
Photo by Nicholas Lea Bruno

Mattai wove together saris sourced from friends and family across the US, Guyana, and India, for Pappy’s house, 2024, a re-creation of her grandparents’ Guyana home.

  • Photo courtesy of the Institute of Contemporary Art San Francisco

    Detail of Suchitra Mattai's the sea wall, 2024

  • Photo courtesy of the Institute of Contemporary Art San Francisco

    Suchitra Mattai's and the earth swallowed her whole, 2023.

  • Photo courtesy of the Institute of Contemporary Art San Francisco

    Detail of Suchitra Mattai's memory palace, 2024

Also on view are her phalas (“fruit” in Sanskrit and Hindi). The hanging sculptures, made of repurposed saris, resemble giant, multicolored fruit and also suggest eggs, wombs, or even fertility spirits, and honor the domestic labor of women.

In Memphis, Mattai will install a set of phalas at various heights in the Brooks Museum’s Rotunda. The museum’s curator of contemporary art, Patricia Daigle, has had her eye on Mattai’s evolving career for a few years now, admiring the artist’s willingness to explore new forms. “When I saw the phalas in her first solo show, at Roberts Projects, her West Coast gallery, in 2023, I thought that those would be perfect for our Rotunda,” she says. The Rotunda is the entrance to the museum and its central hub. “With abundance we meet is the title Suchitra came up with for this installation,” Daigle says. “I think it’s a really lovely way to greet our visitors—the idea that we are meeting in abundance and with abundance.”

 

Suchitra Mattai: she walked in reverse and found their songs
Seattle Asian Art Museum
Seattle, Washington
April 9–July 20, 2025

Suchitra Mattai: with abundance we meet
Brooks Museum of Art
Memphis, Tennessee
Opens May 22, 2025

 

Jon Spayde is a writer, editor, and performance artist in St. Paul, Minnesota.

Photo by Nicholas Lea Bruno

Suchitra Mattai repurposed worn saris and a vintage table and adorned them with curtains of beaded trim for 2024’s to touch the sky, 110 x 43 x 41 in., part of her phalas series.

Visit Suchitra Mattai online.

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