News

Emelie Röndahl's tackles the personal and the political in her rya weavings.

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The American Craft Council remembers 2018 Fellow Thomas Gentille, who passed away earlier this month.

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The Brooklyn-based sculptor and glass artist's new show at the Yale University Art Gallery surveys their diverse body of work.

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Forged in Fire, a six-part series at Tacoma, Washington’s Museum of Glass, examines the history of American glassmaking through live programming.

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Habatat Galleries' annual celebration of glass aims to provide a balm during tumultuous times.

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A new exhibition by textile artist Leigh Kvetko at the West Texas gallery casts an eye on the Southwest’s stark landscapes.

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The Diné artist and sheepherder works from sheep to loom to weave colorful textiles. 

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Corey Alston’s new life-sized sweetgrass basket might be the biggest ever made.

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The Center for Craft’s new exhibition emphasizes social practice in craft.

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The new short-term artist-in-residence program at Berea College Student Craft welcomes working craftspeople.  

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Voices from the past and present will commingle for storied craft school’s Distinguished Speaker Series.

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A first-of-its-kind exhibition at Minnesota’s Cafesjian Art Trust Museum expands the canon of abstract art.

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The 49th American Craft Made Baltimore, held February 20–22, 2026, was more than a marketplace—it was a powerful demonstration of what’s possible when community and creativity come together.

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Margaret Jacobs’s organic forms in steel and brass draw on influences from her Akwesasne Mohawk heritage.

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The four writer-artists of ACC’s new program take readers deep into their region’s craft scene.

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Arts organizations find community, partnership, and collaboration through Craft in America’s landmark initiative.

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The American Craft Council remembers 2003 Fellow James L. Tanner, who died in January.

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Furniture makers and members of the craft community express dismay over the university’s repositioning efforts. 

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In Los Angeles, Heavy Manners Library offers affordable craft workshops and a space for creative meandering.

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Bianca MacPherson digs into the archives for inspiration for her undulating stoneware and porcelain sculptures.

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In Gloria Martinez-Granados’s cross-stitched portraits, the stories of Latino laborers stretch across generations.

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Representing the United States in a global cohort of 30 finalists, the New York–based ceramist's work combines expressive, personal surfaces with traditional Korean forms.

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The Cowboy Arts and Gear Museum’s annual Bits and Rawhide Reins Contest and Auction celebrates Western craftsmanship.

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A traveling exhibition from the Cowboy Trades Association brings Western tradecraft to audiences across the western US in 2026.

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