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Bill Brady’s Otherworldly Metal Sculptures Touch Down in Chicago

In a new exhibition at the Intuit Art Museum—the octogenarian Pennsylvania artist’s second-ever show—a distinctive vision emerges in tin and steel.

By Jon Spayde
July 28, 2026

Photo by Fred Scruton

Artist Bill Brady, whose new exhibition Drawing with Metal is currently on view at Intuit Art museum in Chicago.

The metal sculptures of Bill Brady give the impression of being three-dimensional manifestations of magical symbols or scientific diagrams from another planet, as interpreted by someone with superb taste. 

The 83-year-old artist, who lives in rural northwestern Pennsylvania, creates works of exquisite refinement and with a sophisticated sense of design—and an imaginative freedom that reveals an independent spirit at work. 

Brady is profoundly dyslexic, and was ordered by educational authorities to give up schooling after finishing ninth grade at age 17. He can neither read nor write. He learned to work with metal from his blacksmith father, and for a number of years made tin replicas of early American objects, including lanterns, cups, and candlesticks, which he sold at craft markets. In the late 1960s, he began creating distinctive works out of tin-plated steel roofing materials and welding rods. 

Half a century later, in 2018, he had his first show—at Pennsylvania’s Erie Art Museum, about 50 miles from his home. His second exhibition, Bill Brady: Drawing with Metal, is on view through October 4 at the Intuit Art Museum in Chicago.

Photo courtesy of Intuit Art Museum

Installation view of Drawing with Metal: Sculpture by Bill Brady, 2026.

The chief curator at Intuit—which, per its website, “champions the diverse voices of self-taught art”—is Alison Amick. She discovered Brady’s work in the photographs of Fred Scruton, a one-time visual chronicler of the New York art scene who now lives not far from Brady and mostly shoots “outsider” artists and their work. 

She was, she says, “amazed. I love it when you come across someone who hasn’t really had that opportunity to have their work known to a larger public. He’s been making it for his own pleasure and enjoyment for so many years.”

Amick visited the artist at his home, which is filled with his pieces, and got a good look at the decommissioned Navy bus that he turned into a skylight-equipped rolling apartment/studio, where he once lived. She persuaded him to part temporarily with the more than 30 pieces that appear in the show.

“Bill hasn’t come to see the exhibition yet, but we’re planning to have him here in October for some programming, including, probably, an artist talk,” says Amick. For now, I hope that people come away from the show with a sense of wonder—and the realization that there is always a path for talent.”

Photo courtesy of Fred Scruton

An undated, untitled work by Brady made from roofer's tin and welding rods, 15.75 x 21 x 7 in.

Photos courtesy of Fred Scruton

Undated, untitled works by Brady made from roofer's tin and welding rods.

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Jon Spayde is a writer and editor in Saint Paul, Minnesota. A former contributing editor to American Craft, he writes on art, psychology, education, and personal growth for a number of regional and national publications.

Learn more about Drawing with Metal online.

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