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Maryam Bayat's Rug Sculptures Beckon Viewers into the Garden

In a new exhibition at the California Center for the Arts Museum, the Iranian American artist turns tattered rugs into soft sculptures that recall the gardens of her childhood in Tehran.

By Jacqueline Huynh Young
August 3, 2026

Photo courtesy of Maryam Bayat

Maryam Bayat with her work.

Two blooming cypress trees made from repurposed Persian rugs greet visitors at the entrance to Unrolling Paradise, a new exhibition by Iranian American artist Maryam Bayat. 

In Iranian culture, Bayat explains, the cypress is a symbol of resilience, capable of surviving in any number of harsh climates. “It’s in our architecture, our rugs, our paintings, our poems,” she says. “Whatever the pressure and hardship, as Iranians, we continue.” The flourishing flowers that fill the installation, she adds, grow from that spirit.

In the show, on view through August 16 at California Center for the Arts Museum in the San Diego suburb of Escondido, Bayat transforms rugs into a sculpture garden inspired by the landscapes from her childhood in Iran. Flowers bloom across the gallery alongside a fountain, a menagerie of animals, and a series of objects named after teas and coffees, turning the space into a nostalgic vision of home.

The exhibition grew out of Bayat’s conversations with friends in 2023. Gathered around a table now installed at the back of the gallery, they reminisced about Shiraz, the historic city celebrated for its gardens and architecture. Those memories prompted Bayat to reflect on the relationship between the rugs she worked with and the lush landscapes of her childhood. Often understood as earthly representations of paradise, Persian gardens have long influenced carpet design, from their geometric layouts to their abundant floral imagery.

Photo by Oakenhart Photography

Installation view of Unrolling Paradise at California Center for the Arts Museum, Escondido, California.

Bayat is the fourth generation in a family of Persian rug makers. As a child in Tehran, she spent hours playing in her father’s warehouse, scrambling up towering stacks of rugs and leaping from one pile to another. At bazaars, she wandered the stalls, captivated by the scent of wool and the shafts of light filtering through the architecture. “It was always my fantasy world,” she says. “As I grew up, I wanted to create something new with them.”

Bayat begins each sculpture with torn, unusable rugs, bleaching them until their original patterns become faint but remain visible. She describes the process as something similar to bleaching hair. She then hand-dyes the material using techniques passed down by her father and other rug repairers in Iran. After cutting, hand-sewing, and stuffing the forms with a dense foam, the once flat rugs take shape as free standing sculptures.

For Bayat, each rug carries traces of the artisan who made it. “When they breathe, when they’re angry, when they’re sad, when they’re happy, it affects how they hit the loom,” she says. “So it has a life in it. I wanted to bring that old story and combine it with my own story, and give it another life, give it another meaning.”

Photo by Oakenhart Photography

Another installation view.

Photo by Oakenhaart Photography

Bayat's rug sculptures take the form of a garden and include trees such as cypresses.

Jacqueline Huynh Young is a Vietnamese American artist and writer based in Los Angeles. 

Learn more about Maryam Bayat's work online.

Exhibition Website Artist Instagram

This article was made possible with support from the Windgate Foundation.

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