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Craft Around the Country

A Booming Craft Market Meets the Moment in a Surging Southern Town

Sixteen years after its founding, Indie Craft Parade is a cornerstone event in Greenville, South Carolina, drawing visitors to this thriving city each September. 

By Robert Alan Grand
August 20, 2026

Photo by Jasmine Elaine, courtesy of Indie Craft Parade

Shoppers gather at Judson Mill in Greenville, South Carolina, for Indie Craft Parade.

Indie Craft Parade has grown significantly from its scrappy beginnings. 

The annual market celebrating Southern makers, which will be held this September 11–13 at Judson Mill in Greenville, South Carolina, now attracts 7,000 to 9,000 visitors over three days and generates a $2 million local economic impact. 

Given those numbers, it’s easy to see how “people think it’s this big organization,” Erin Godbey, one of the show’s co-founders and organizers, says. “But there are only three of us—and we all have full-time careers outside of it.”

Launched in 2010 by Godbey and Lib Ramos, with Jen Moreau joining the team shortly after, Indie Craft Parade grew out of the trio’s shared passion for modern, handmade goods with a unique perspective. It was inspired by the rise of festivals such as Chicago’s Renegade Craft and Asheville, North Carolina’s The Big Crafty.

“That first year, we had no idea what to expect,” Godbey recalls. “But an hour before we opened, we saw people lining up around the block,” underscoring the event’s unexpected demand in a city that, during the past two decades, has transformed from a quiet Southern mill town into a bustling tourist destination.

Photo by Jasmine Elaine, courtesy of Indie Craft Parade

Indie Craft Parade was inspired by craft markets and festivals such as Chicago’s Renegade Craft and The Big Crafty in Asheville, North Carolina.

Part of Indie Craft Parade’s appeal is the wealth of high-quality work on display, a selection attributed to the show’s rigorous jury process. A rotating panel of regional artists, craftspeople and designers, many of them previous exhibitors or patrons, blindly evaluates all applicants each year—even repeating vendors have to reapply for one of the show’s coveted spots. This year’s edition will feature 112 makers, including Charleston, South Carolina’s J. Stark, known for their modern bespoke handbags and leather goods, and Louisville, Kentucky’s Khromophilia, who will bring their cartoonlike and “unapologetically colorful” jewelry to the show. 

Some vendors are going to great lengths to take part: Greenville-born, UK-based ceramist Katie Coston of Illyria Pottery will bring a collection of her new works from across the Atlantic. “This is my favorite event in my hometown… and I wouldn’t miss it,” she writes on Instagram.

To keep things fresh, Godbey adds, the festival strives to allocate 30 percent of floor space to first-time exhibitors and, through their new Emerging Artist program, subsidize a handful of booths for budding makers. 

Godbey sees that support for rising makers, from college grads to recent retirees, as central to the homegrown show’s mission and spirit. “I’ve had so many artists say to me, ‘This was the first festival I did, and now it’s my career.’ Each time, I can’t believe it—it’s so cool that we get to be a small part of their story and help them do what they love.”

Photo by Jasmine Elaine, courtesy of Indie Craft Parade

Over three days, Indie Craft Parade expects to host 7,000 to 9,000 customers.

Robert Alan Grand is a writer and photographer based in Asheville, North Carolina. He received the 2025 Andy Warhol Foundation Arts Writers Grant to cover contemporary art in southern and central Appalachia.

Learn more about Indie Craft Parade online.

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This article was made possible with support from the Windgate Foundation.

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