Skip to main content
Craft Around the Country

At Nebraska's KANEKO, Two Sides of a Studio Glass Great

Therman Statom’s Coleccions de studio de invierno coincides with a show of work by participants in the ARTS for Me! program, a passion project of the artist KANEKO board member.

By Jon Spayde
June 16, 2026

Photo courtesy of Ben Semisch

Visitors to KANEKO in Omaha, Nebraska, look at a glass assemblage by Therman Statom.

In mounting a show of artworks by Therman Statom, a master of studio glass, the KANEKO gallery is paying homage to one of its best friends.

The 19 pieces on view in Colecciones de estudio de invierno (“Collections of a Winter Studio”)—including wall-mounted sculptural works, two blown-glass heads, a giant cluster of glass boxes adorned with eclectic imagery and found objects, and three big glass houses—typify Statom’s simultaneously elegant and playful work. The exhibition runs until September 26.

Statom and Jun Kaneko, the legendary ceramist and founder of the unconventional Omaha, Nebraska, gallery and creativity hub that bears his name, have known each other for half a century. Statom, who lives in Omaha, is on the board of KANEKO, where he’s been a major force in developing a program that brings inspiring art education to neurodivergent kids. 

Born in Florida to a family that joined the Second Great Migration out of the Jim Crow South, Statom was raised in Washington, DC. Fascinated with ceramics as a teenager, he entered the Rhode Island School of Design (RISD) and became a student of Jun Kaneko. But an introductory glassblowing session with another towering RISD teacher, Dale Chihuly, converted him to that medium. He studied at Pilchuck in 1971, its inaugural year, then finished a BFA at RISD three years later.

Photo courtesy of the KANEKO

KANEKO, an Omaha arts center, was founded by ceramist Jun Kaneko, who has known Statom for over 50 years.

Over the course of a distinguished career in which he has installed public works across the US and exhibited internationally, Statom has become best known for structures made of glass panes glued together, often employing vivid color and imagery painted or stenciled on sandblasted surfaces. He may add small works of blown glass and miscellaneous objects to them, too: one of the boxes in the Colecciones show is full of corn cobs.

Just as important to Statom as his studio work, though, are his wide-ranging educational efforts with children on the autism spectrum and with developmental and intellectual disabilities, helping them realize their potential as creative people.

KANEKO runs Arts for ME!, a partnership with two Omaha middle schools and two high schools that brings artists to the schools and students to KANEKO, with the goal of giving students with special needs the time and attention they need to develop their creative ideas. Founded by artist and art teacher Erin Lunsford and advised by special-education teachers and other experts on the needs of these youth, the program took off when Statom came on board as a visiting artist and general-purpose inspirer. Currently in its fifth year, the annual show of the young artists’ work is up in parallel with Colecciones, closing on October 18.

“With these two shows, we have two different sides of Therman in our space right now,” says Jason Hovey, Exhibition and Special Projects Director at KANEKO. “He’s been such a great force for KANEKO, and we want to do our part to showcase who he is and what he does.”

Photo by Parker Harrell

Statom stacks glass blocks for his exhibition Colecciones de studio de invierno.

Jon Spayde is a writer and editor in Saint Paul, Minnesota. A former contributing editor to American Craft, he writes on art, psychology, education, and personal growth for a number of regional and national publications.

Learn more about Therman Statom and Coleccions de estudio de invierno online.

Statom's Website Exhibition Website

Before you go!

We believe that making creates a meaningful world, and we hope you do, too. Deeply researched and impactful journalism on the craft community is in short supply. At the same time, being featured in craft-centered media and articles can have a major effect on a maker’s or artist’s livelihood, particularly those who are just starting in their career. You can help support our mission and the work of makers around the country by becoming a member or by making a gift today.

Thank you!
American Craft Council