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Explore Craft Around the Country with ACC’s Regional Craft Correspondents

The four writer-artists of ACC’s new program take readers deep into their region’s craft scene.

By Jon Spayde
March 11, 2026

Clockwise from top left: Photo by Cedric Angeles, photo by Gabriella Marks, photo by Jaida Grey Eagle, photo by Kelvin Bulluck

Early this year, the ACC selected four artist-writers as the initial cohort in its Regional Craft Correspondents program, an initiative supported by a grant from the Windgate Foundation. The quartet have deep roots in their regions and lively curiosity about what’s best, newest, and most noteworthy in the craft worlds they inhabit. We’re delighted to introduce them.

Northeast (Maine to Washington D.C.): Kate Schuler is a Washington, DC–based ceramist and journalist who has also explored woodworking, sewing, and other crafts. “The urban cost of living here is high, and it’s fascinating to me how people work through that to practice their crafts,” she says. “The Northeast has a rich diversity of cultures, and craftspeople bring their own traditions while also influencing existing ones.”

Southeast (Virginia to Louisiana): Robert Alan Grand, a veteran journalist and photographer and self-described “craft dabbler” based in Asheville, North Carolina, says that he hopes to use his  correspondent position to “show the diversity of craft perspectives and approaches in a region often dismissed as monolithic” and “to show how craft can serve as a radical, subversive tool for protest, reform, or advocacy.” 

Photo by Kate Schuler

Kate Schuler.

  • Photo by Jacqueline Huynh Young

    Jacqueline Huynh Young.

  • Photo by Basil Vaughn Soper

    Robert Alan Grand.

Southwest (Texas to California): Los Angeles–based ceramist Jacqueline Huynh Young was “born and raised in the Mojave Desert in Southern California, and much of that landscape—its history and my memories of it—informs my work. The region holds such an incredible depth of cultural and artistic history.” She’s fascinated, she says, “by how artists draw on that history in different ways,” and she works to highlight the process in her writing.

Northwest (Mountain West and Pacific Northwest): Amy Erickson is a silversmith, engraver, and bit-and-spur maker based in Wyoming. She’s keen, she says, not only to cover innovative studio practice in the region, but to highlight the makers of traditional Western gear. “These crafts are not relics,” she says. “They still serve a function and have a place in the scene, but aren’t always widely recognized in the broader craft conversation.”

And don’t feel slighted, Midwest! Journalists here at ACC headquarters in Minnesota are covering the heartland.

Check out coverage from our regional correspondents under the banner of Craft Around the Country.

Photo by Brad Erickson

Amy Erickson.

Jon Spayde is a writer and editor in Saint Paul, Minnesota. A former contributing editor to American Craft, he writes on art, psychology, education, and personal growth for a number of regional and national publications.

Before you go!

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American Craft Council