Ghanaian highlife music plays on the boombox and light filters through swirling sawdust at the Kane Kwei Carpentry Workshop in Teshie, Ghana. Around the shop, coffin makers work mostly with hand tools, sawing and planing wood for coffins that might take the shape of a red snapper, a beer bottle, an audio mixer, or any number of improbable objects before painters finish them off with layers of glossy enamel.
This craft tradition is at the center of The Art Underground: Fantasy Coffins of Ghana, on view through September 5, 2027, at the Museum of International Folk Art in Santa Fe. The exhibition brings together more than 20 hand-carved coffins, including new commissions, by Ga artists connected to Kane Kwei’s workshop. An accompanying catalog from Museum of New Mexico Press includes images of coffins and funerary rituals and contains interviews with artists, scholars, and curators.
Curator Mark Sloan first visited the workshop in 2019, initially drawn to the wit and spectacle of the coffins. As he learned more about the cultural beliefs behind them, he wanted to tell the story of how the workshop’s influence spread across generations.
FROM LEFT: Paa Joe, Red Snapper, 2024, paint, wood, metal hinge, fabric, 9 x 44 x 36 in. Hello, Anatomical Heart, 2024, paint, wood, metal hinge, fabric, 36 x 88 x 30 in. Eric Adjetey Anang, Sanitation Truck, 2024, paint, wood, metal hinge, fabric, 40 x 31 x 78 in.