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Makers

Where Jewelry People Gather

The Jewelry Library in New York City fosters scholarship and creativity while building community.

By Kerrie More
August 6, 2025

Visitors look at jewelry in an exhibition.
Photo by Aida Sulova

Visitors view Penny Morrill’s Open Book: Dreaming in Silver exhibition at The Jewelry Library.

“Everyone has a jewelry story,” says Karen Davidov, founder of The Jewelry Library (TJL), an inclusive, ever-evolving collaborative space that is, according to its website, “curated for jewelry people, by jewelry people.”

The one-of-a-kind adornment hub, located in the heart of Manhattan, embraces the same forward-thinking mission that America’s traditional public libraries have adopted in recent years: providing access to resources while fostering scholarship, creativity, and community. More than just a physical space, it’s the inspirational axis for a collaborative network of makers, researchers, curators, collectors, and jewelry
wearers, both casual and cutting-edge.

Drawing on her experience as both a vintage jewelry dealer and a library consultant, Davidov opened TJL in 2018 to facilitate and promote jewelry literacy. “I’ve always wanted to learn about the jewelry I’m buying. Who made it? What inspired it? What materials were used?” she explains. “I wanted the serendipity of discovering something new or having an enlightening encounter with a maker. Mostly, I wanted to speak the language of jewelry with others who spoke it.”

The library’s reading room houses a diverse print collection where monographs on contemporary art jewelers sit alongside rare books about Italian jewelry. (“I don’t have everything,” Davidov says, “but I do have some great surprises!”) And, of course, there’s the jewelry archive itself, an eclectic collection of pieces, primarily from the 20th century, frequently sought out by artists, stylists, and design students. For most patrons, though, the library’s main draw is its inventive programming, which combines exhibitions, workshops, discussions, demonstrations, storytelling events, and even walking tours, many of which can be accessed both online and in person.

Founder Karen Davidov wearing a large gold brooch.
Photo by Aida Sulova

Karen Davidov, founder, wearing The Gold Brooch by Mette Saabye.

  • Collection of jewelry books arranged on shelves
    Photo by Karen Davidov

    Curator and educator Helen Drutt English curated this collection of books for Hidden Treasures.

  • Mode wears elaborate pear and metal cape
    Photo by Josephine Winther

    A 1970 piece by Bill Smith for Richelieu, worn by Mareme Fall

TJL’s robust calendar of offerings has garnered a devoted following, especially during NYC Jewelry Week, an opportunity every November for audiences to interact with other “jewelry people,” such as curator and educator Helen Drutt English, master maker Keith Lewis, or artist-lecturer Luci Jockel. “We often highlight makers who have been left out of the history books or whose stories have yet to be told,” Davidov says. Recent examples include an exhibition curated by art historian LaMar R. Gayles, Jr., showcasing the work of Black American artisans; and an online presentation by artist Sugandha Gupta, whose limited vision inspires her to create multisensory wearables and advocate for inclusive approaches to design.

Multimedia artist Sulo Bee says, “I appreciate the platform Karen provides for emerging makers like me, whose work doesn’t always identify with typical jewelry standards. The networking opportunities, in particular, have been invaluable.” Journalist Jennifer Altmann, who specializes in writing about contemporary jewelry, echoes this sentiment. Whether she is leading a panel discussion, facilitating a writing workshop for artists, or attending an exhibit opening, she says, “I always meet new people and have fascinating conversations—many of which have led to long-term professional relationships.”

Kiff Slemmons, artist and friend of The Jewelry Library, says, “Jewelry is all about connection.” These words reflect the sentiment that guides Davidov’s future planning. Collaborative partnerships with public libraries and galleries, as well as ramping up opportunities that focus on mentoring artists, are all in the works. “More than anything,” Davidov says, “I want to offer jewelry experiences that help people discover, craft, or tell their own unique jewelry story.”

 

Kerrie More is a freelance writer exploring art, craft, and creativity from the mountains of northwest Montana.

A model wears a collection of paper bracelets.
Photo by Aida Sulova

Paper bracelets designed by Kiff Slemmons, crafted in collaboration with Oaxacan artisans. Worn by Veronika Tsakadze.

Visit The Jewelry Library online.

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