Community of Makers: Project FIRE
Community of Makers: Project FIRE
Glassblowing through Project FIRE builds skills as well as a sense of trust and shared community. Left to right: Deshon Hannah, Dantrell Blake, N’Kosi Barber, Lynquell Biggs, Deaunata Holman, Latee Smith, and Trevelli Jones. Photo by Kate Bek.
Dick is convinced that glassblowing is particularly effective for those who have been exposed to trauma. Working with the material has inherent risk, and trust gets built handling it together. Newcomers to the program are amazed by the molten, glowing glass, says Dick, and the first time they encounter the open glass furnace door, they find it shockingly hot. However, “the initial intimidation quickly gives way to excitement for a radically new experience,” Dick says.
Glassblowing sessions end with student-led support group meetings. “By the time we have sweat our way through three hours working with molten glass together, young people who admit that they previously had no interest in group therapy open up to us and each other more freely,” she says.
Participants are recruited through Healing Hurt People-Chicago, a hospital-based violence intervention program that provides mental health services to Project FIRE participants. Firebird Community Arts provides the teaching artist staff, facility, and funding.
While in the program, participants are paid minimum wage for their work in the studio and in group sessions. They also can market their personal artwork on Firebird Community Arts’ in-studio gallery and online store and exhibit artwork at local art fairs and in gallery shows. Project FIRE participants receive 70 percent of personal artwork sales, with the remaining 30 percent going back into programming.
Alumni have gone on to college to study social work and received scholarships to study glass at university programs and community organizations. But, Dick says, some of the most impressive and impactful outcomes of Project FIRE are the intangible ones. “The outpouring of love and support and shared experience” is at times, she says, “breathtaking to witness.”
firebirdcommunityarts.org | @projectfirechi
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