For Cedric Mitchell, working with glass is “a rhythmic dance.”
Cedric Mitchell’s bold glassware balances nostalgia and innovation. Taking inspiration from graffiti, streetwear, futuristic design from the 1980s and 1990s, and the Memphis Group, his “modern funk” aesthetic combines rich coloration and playful patterns into a visual language all his own. Originally from Oklahoma, where he first encountered studio glass while recording at a Tulsa music studio, Mitchell learned glassblowing at Tulsa Glassblowing School, where he eventually became an apprentice and an instructor. Now based in Los Angeles, he has developed glassware collections, collaborated with high-profile clients such as Nike, and served as the events and resource manager at Crafting the Future, an organization that supports BIPOC craft artists. Mitchell’s Kinetic Glasses, which swivel on a glass ball, are featured on the cover of the Summer 2024 issue of American Craft. Designed to enhance the aromas of spirits such as scotch and cognac, the glasses are also part of our “Handcrafted Happy Hour” article, in which recipe developer and food stylist Betsy Nelson suggests pairing them with a nonalcoholic honey-based recipe.

cedricmitchelldesign.com | @cedricmitchelldesign

How do you describe your work or practice in 50 words or less?
My studio art glass practice fuses pop art influences with postmodern innovation. Using vibrant colors and intricate designs, I create captivating sculptures inspired by street art and childhood memories. My modern funk aesthetic embraces whimsical patterns and shapes, celebrating individuality. I also support youth arts organizations and marginalized communities.

Tell us about your dream collaboration, whether with a restaurant, bar, interior designer, or fellow artist. What would you most like to make, and with whom?
My dream collaborations would be with Peter Shire and Marni. With Shire, I envision creating functional, visually striking objects and furniture blending his postmodern designs with my modern funk aesthetic. With Marni, I'd design a clothing collection featuring vibrant colors and whimsical patterns, merging high fashion with street art influences.

Your Kinetic Glasses, which are featured on the cover of the Summer 2024 issue of American Craft, are designed to enhance aromas and help people savor the flavors while drinking. They can be made in clear glass or multiple color options. How do you use color to heighten the drinking experience?
I use vibrant colors in my Kinetic Glasses to enhance the drinking experience by aligning with chromotherapy principles. Each color evokes specific emotions and sensations, enriching the sensory experience and elevating the enjoyment of aromas and flavors, making each sip more immersive and pleasurable.

What is unique or interesting about the craft community in your adopted hometown of Los Angeles? Which glass artists, exhibitions, or projects do you think the world should know about, and why?
What makes the craft community in LA unique is its connectivity. We all work together toward a common goal: to uplift each other, collaborate, and support one another's career advancement.

If you could have work from any contemporary craft artist for your home or studio, whose would it be and why?
I would be delighted to have a piece from Norman Teague in my home. His style, color choices, and innovative designs in woodcraft are exceptional, pushing boundaries and adding a unique, dynamic touch to any space.