The Return of the International Folk Art Market
ACC craft correspondent Emily Freidenrich shares a glimpse into IFAM's first iteration since the start of the pandemic.
Photo by Denise Womack-Avila.
If you followed along with me on @craftcouncil, you got to see a few of the makers that caught my eye, including the work of my friend Porfirio Gutierrez, the Zapotec weaver featured in my book, ALMOST LOST ARTS (Chronicle Books, 2019); intricate beadwork from Kenyan women’s collectives; luxurious indigo-printed silks and cashmere from Rajasthan, India, by artist Hemangini Rathore of Sundarshan Textile Arts; and Maki Aizawa and Tsuyo Onodera, the mother-and-daughter kimono makers behind Kamiko, who nearly sold out of their sashiko-stitched and natural-dyed haori and hanten jackets on that first night alone.
IFAM took many precautions to protect its makers, guests, volunteers, and staff. The market was also split into two weekends (July 7–9 and July 14–18) with sixty artists each. The breaks between weekends and daily timed entries for attendees allowed staff the chance to clean and reset for each session. What’s more, the organization paid for the flights and lodging of all artists, and provided Coronavirus testing prior to market attendance.
Due to IFAM’s efforts, the safe return of the market brought its artists a much-needed financial opportunity that for so many has often been the most important event of the year. And of course, this was the first time for many of us craft-lovers to admire (and acquire!) incredible work in person, direct from the skilled artists. I'm looking forward to the (safe) return of more events like this one, which we have all love and missed!
emilyfreidenrich.com | @emfrei
Keep up on happenings in the craft world through our newsletter
Sign up to receive our Craft Dispatch, a curated dose of exciting events, opportunities, and content from our community delivered to your inbox each month.